Maurice Kanareck

Forename/s: 
Maurice
Family name: 
Kanareck
Work area/craft/role: 
Company: 
Industry: 
Interview Number: 
686
Interview Date(s): 
28 Nov 2009
Production Media: 
Duration (mins): 
52

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Interview
Maurice Kanareck
Interview notes

This additional interview with Maurice contains supplimentary material which he meant to include in his original interview 566 recorded on 6th April and 12 th April 2007  

Transcript
Biographical
  • Born 6 September 1933 in the UK. IMDb+1

Early life & background

  • Trained at art school, completed National Service (including time in Germany), and then moved into broadcasting and presentation work. His early career included presentation/continuity roles and work in television production. LinkedIn+1

Broadcasting & film career

  • Worked for major UK broadcasters (BBC, ITV/ATV) as a presentation/presentation-director and also directed and produced documentary and non-fiction television. He is credited on panel/entertainment material (e.g., It’s a Knockout) as well as more serious documentary work. historyproject.org.uk+1

  • Festival credits: his documentary Prisoners of Conscience was screened at the Melbourne International Film Festival (MIFF) 1979. Miff 2025

Other media & writing

  • He has published a book entitled 98k — Biography of a Rifle, a researched narrative about the Mauser 98K rifle (published editions are listed online). Amazon+1

Interviews & archival material

  • Maurice Kanareck is interviewed and profiled in the British Entertainment History Project (interview nos. 566 and supplementary material), which includes transcripts and a small gallery — a useful primary source for his career recollections. historyproject.org.uk

Notable credits (examples)

  • Let’s Parlez Franglais (1984) — director credit listed. IMDb+1

  • Prisoners of Conscience (screened MIFF 1979). Miff 2025

Significance & summary

  • Kanareck’s career spans presentation/presentation-direction for UK television, documentary direction, and authorship. He appears in both broadcast-industry archives and festival records, indicating a mix of mainstream broadcast work and independent documentary practice.