[…]t would be obviously in collaboration. You can’t be an island on your own.PF: Now, during this period you were talking about, I guess it’s around the time of Kes, there was a push to all-colour production by the end of the ‘60s. Almost all of British features were shot in colour. Do you… from your e[…]
[…]versity).BECTU History Project Interview no: N/K Interviewee: Moira Armstrong Interviewer: N/K No of tapes: Two Duration: 01:48:32NB: The time codes given here are estimates based on readings from the original cassette recording.Tape 1 Side A.[Irrelevant preliminaries]So can you please t[…]
[…]you started off in the camera department became a cameraman. And that you ended up as the producer of those specialised  films 50 years is quite time, how did it all begin?John Wiles  0:43  Well, I suppose it began really with my, as a kid I had an interest in in films, I was always t[…]
[…]sociation, where I did a 5-year course in architecture and in 1928 I became an associate of the Royal Institute of British Architects. Uh, during the time I was a student, I happened to be walking to the Tube one day with a friend of my father's, another doctor, and he asked me what I thought I woul[…]
[…] then we came back to England, and in 1931 - we stayed in France for seven years - in 1931 my father was sent to Berlin, which was a very interesting time to go to Berlin. He had his hat knocked off in a Hitler parade on one occasion, because he didn't take it off when Hitler passed by. And we lived[…]
[…] in 1930 I started at Gainsborough studios in Islam what made you chuck up first and go there? Or I, I absolutely just love photography doing at that time. Stills no but when I was I suppose as young as about 17 or 18, I joined an amateur Film Society. I think it was cool, the amateur Film Society. […]
[…] an animator there called Wally crook, who, as far as I know of her background, she worked at Anson and Daya in Hammersmith, and improbably worked at Tim Harrison, Bachelor and possibly Larkins before she came to permanently in studios. And so I worked with her at the studios at the time, and I went[…]
Bernard Ponsonby - Transcript [Interviewer is Tim Amyes, Date of Recording 07 07 2018] [Start of Recording] [00:00] I: Copyright of this recording is vested in the Scottish Broadcasting Heritage Group. The name of the interviewee is Bernard Ponsonby who is Political... R: Ed[…]
[…]they let me sleep through it. And on the very I went up knocked on all the doors all the studios I went up to see is it D C Sewell head of sound. The time they were producing the wicked Lady 1946. Mason & Grainger  to Ealing. I didn't even get an interview at Ealing. The various documentary[…]
[…]didn't attend my mother and father's wedding because they thought it was disgraceful that had their daughter married an architect in the arts. They ultimately forgave her I'm glad to say him became very good friends what was after what after Barbara? I left school and more Breyer with a smattering o[…]
