[…]iring a film from a collector. It was [that] you gave him £4 a reel – no negotiation – and there were major collections like the Norman collection in Soho, in nitrate vaults rotting away on roofs, which he would pay for them. That was the only way we were going to get them, and that had to come late[…]
[…]e the days when I got under contract of Fox, and that was Elmo Williams. Elmo Williams, who was, who was in, in charge of the English side of Fox and Soho square for years, and he was instrumental in putting me under contract. He asked me to do caravans based on the James Michener novel. And I don't[…]
[…]ard. It wasn't called that initially. And, but not only when didn't only meet at work, but when met socially at the pub around the corner in, down in Soho And Soho  of course, was the was where the GPO Film Unit worked. And a lot of the documentary producerdthe time work. They're all associated[…]
[…]f them went out into the industry mostly into labs. So you've got people in technical people rank people running formatic Labs. Give a case people at Soho images, all x Kodak and received all their training for a number of yearsRoy Fowler  18:48  rather like the BBC could train and train p[…]
[…] but he paid me promptly. "Scots Gold" worked and Patrick phoned me up and said I want another commentary written. And I met him in a cutting room in Soho, where he ran me a film about Rome. Fair enough, but it seemed to consist almost entirely of out-takes and trims. It was an almighty concoction. […]
[…]or the commercial. And it was able to experiment in the fields of animation and so on. And it should have been reduced, in my view to a small unit in Soho, but keeping the name going. But now the conservatives said cut it finished. What so there we were Dennis foreman, Dennis foreman was a so called[…]
[…]he average picture where you need to be. It's, it's, it's not efficient, because if you need to be, for example, maybe you're shooting in a street in Soho flat, second floor and you've got a shot, which looks out the window and there's a car drives out and people get out, you've got to light the str[…]
[…]ed slightly, and did course and was quite happy about me taking a couple of afternoons off, to go to work in an independent cutting room somewhere in Soho, just to tidy these two scenes up and the assistant I'd had on that production was still around an EQ just integrated into the the main cup. So I[…]
[…]e in just in the in central London Oxford street somewhere. And there are churches today with his name associated in those in St. Patrick's Church in Soho square, which is where Tommy still got married. And there was a several in Kings one in Kingston one in Brighton and Hove. All over there was one[…]
