[…] at http://historyproject.org.uk/content/0288, and references to her in the interviews with Kay Mander (http://historyproject.org.uk/interview/kay-mander) and Tom Peacock (http://historyproject.org.uk/interview/tom-peacock). Other online sources include […]
[…]lm, I was sent, quite strange, I was sent to, because they didn't know what to do with me, it was very odd. There were quite a number of women there, Kay Mander was just finishing there. And, Anne Womersley who did most of the fruit films that they did you know... Anne Womersley Rodney Giesler&[…]
[…] Du Film d’Animation). SUMMARY: In this interview, Batchelor talks to Kay Mander about her career, commenting other animators and their influence […]
[…]ound.                        Okay.                        1:[…]
[…]idn't get on with them, then I didn't get the job. I felt it was a very personal thing, I didn't feel it was a feminist thing, though, at all. I know Kay Mander feels very much the other way. But I don't personally. In fact, you know, we've always had equal money, haven't we? Gloria Sachs […]
[…]he cash crop was the lambs and the beef animals and yourfortune depended upon how good the prices were for lamb, sixteen shillings in those days was okay,18 shillings was terrific and fourteen shillings was bankruptcy It was knife edge stuff, not for usbecause we were a fairly rich family. It was kn[…]
[…]tudy English, which was permitted, which I did that. I did a course at London University. And you want me to go on,Speaker 1  3:13  right? Okay, could you tell us a little more of the political background in Vienna, in your youth,Speaker 2  3:24  well, to go back to my father, he[…]
