[…]ouses which had been which were a rabbit warren communicating with the tower. There was a small tower block there which had been used and occupied by Gaumont British in the ‘30s in fact a cousin of mine had been a sound recordist at Gaumont British there in the ‘30s so I'd heard of the place and my […]
[…]y accept successful PR job by glisten and this is what prism really was good at, was getting funds, getting the Empire marketing boards, and then the GPO Film Unit to stop happening. creating these sort of loci and building mean people like Steven talents, and so forth, sort of like general barrier […]
[…]  25:00  Yes,I do. Because there was a strong connection between this and what I subsequently did. I think the most interesting people were Gaumont British instructional, was then , headed up by Bruce Wolf, remember, and he  that he had no studio of his own at the time and used to use[…]
[…]en hired a small teacher by a mobile Casa buddy. I said, Well, we've already got us studio, we've got the insert stage at the back of the Hammersmith Gaumont is quite big. We use it for all sorts of things, and raised there but it isn't soundproof, we can't possibly use it. We got to have dialogue. […]
[…]purposes and had been to university and fought with some distinction in the First World War worked for Mick at  Ealing and indeed before then at Gaumont. And it's quite amusing that there was I understand at the old Gaumont  Studios, a long corridor, which was known as the Polish Corridor […]
[…]lyGordon Hales  41:07  No that when Cavalcanti left Ian Dalrymple was brought in who was a highly professional former supervising editor of Gaumont  British and then a writer for Korda and who actually directed a film with John Mills I can't remember its title  as a feature film […]
[…] oh …ALAN LAWSON: Didn’t everyone have a hand in that?HARRY MILLER: Well, not really, er, lots of people did, but he used to be either an Ealing or a Gaumont director, didn’t he?ALAN LAWSON: I can’t think who it was.HARRY MILLER: Because I remember I was given this job to do…ALAN LAWSON: Alex produc[…]
[…]And it has a sequel later on, which we'll be talking about. But, during that period, there was the big strike which brought out all the theatres, the Gaumonts, the Granadas, everything. All shut down because projectionists were pulled out on strike by the ETU, which was the organiser for projectioni[…]
