[…]s in Peek Frean’s factory. Mm, really would have loved to work in the theatre but knew nothing about it. Sort of thought that perhaps working for The light">BBC would be a wonderful place to start because there would be light">light">light">programmes going on and also a weekly pay cheque or, you know, pay packet in this. So I[…]
[…]ed drama, Documentary, Music, Arts, medical, and waternsw. So I've had quite a broad spectrum when when, and I've also worked for major companies for light">BBC for all the most of the ITV companies before that when they were still in existence, channel for independence. And that's, that's, that's who I am[…]
[…] out of the window! But we all coped and it was fine. But the best joy I had at STV was a Director called Dougie Moodie. Douglas Moodie. He came from light">BBC to STV and it was Ibsen's The Wild Duck, the play. I'd seen it at the Festival and Douglas's interpretation of it, television-wise, was unbelievab[…]
[…]and chippies and classrooms benefit as well. However, for me, it was absolutely marvellous because it was the greatest training ground apart from the light">BBC, I suppose the crown Film Unit, andUnknown Speaker  9:11  I'm working toRobert Angel  9:16  I was working with an editor calle[…]
[…]atre and with - as of that time - and your career as an actress. Someone came to you and said, "Commercial television is coming up." Had you done any light">BBC television as an actress, or as a director?Joan Kemp-Welch: Well as an actress, as I say, the one time I told you, at the Alexandria Palace w[…]
[…]ell I prefer the broadcasters that's here. But I had a great problem trying to get in at that time. And all the ITV companies turned me down. But the light">BBC read through my thing and said Would I like to I then applied to the light">BBC to go in as the as the the man in charge of the Russian service in Bush h[…]
[…]folio, which I did and he got in touch with Roy Oxley2 who had been a fellow art director, now at this time, which by now was 1951 he was at the light">BBC. Now the head of design there at that time was Peter Bax3 and they, now what happened, oh I think it was the usual thing, they said apply, an[…]
[…]ded people at Unity and I suppose I've continued to offend people, I can't blame Unity only for that, I've offended people all over the place, at the light">BBC and everywhere. Norman Swallow: Johnny, does that mean you wrote a play and submitted it to Unity Johnny Speight: Yes, I wrote plays, yes, and one[…]
[…]t at all but I was very much in the shadow of it, in the ‘wake’ if you like of The World at War, and always had been fascinated by it. And unlike the light">BBC for instance, when they were making The Great War series in the mid-sixties, where they only bought a brief licence for the archive all of which e[…]
