Search Results for: BAFTA Cinematography (1993, 1997, 2002, 2011)
Anne V Coates
[…]d then my father had a 16mm camera that, he used to take photographs of us as kids.
Mhm.
Which I still have. And...
Will they surface at the BAFTA [inaudible]? [laughs]
I don’t think so. I... I don’t know where they are now. My, my problem from the BAFTA point of view actually is the fac[…]
Harry Manley
[…]en on the individual labs did their own negotiations; only 35 staff working at Perivale at time of interview; HM took retirement in 1989 then went to BAFTA as finance director.00:25:12 – 00:34:26 Universal labs came in as a rival to CFS; 16mm wasn’t considered ‘professional’; they had very few perso[…]
Eileen Diss
[…] (laughs). I couldn't get over it; we will pay you nine pounds a week2 Roy Oxley (1899-?) was a British production designer at the BBC, he won a BAFTA for his work on The Portrait of a Lady in 1969.3 Peter Bax was a production designer at the BBC, he worked on productions includi[…]
“The Coming of the Projectionettes”: Women’s Work in Film Projection and Changing Modes of Spectatorship in Second World War British Cinemas
Author: Rebecca Harrison, (School of Art, Media & America Studies, University of East Anglia) In December 1940, S G Rayment, the editor of […]
