BECTU History Project - Interview No. 347 [Copyright BECTU]Transcription Date: 2004-02-26Interview Date: 1995-03-14Interviewers: Charles DrazinInterviewee: Manny YospaTape 1, Side 1 Manny Yospa: ...musical comedy, she had a small part in one, she acted the gypsy really. [Chuckling] And I w[…]
[…]i/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants to make every effort to improve[…]
Members of the History Project involved in the recording of interviews for the archive must familiarise themselves with all Production documents by […]
[…] the cut and line of the dress into which they project their (imaginary) bodies.’[70] [figure 14 here] Ultimately, the keynote […]
[…]i/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants to make every effort to improve[…]
Manny Yospa  0:05  This is a BECTU history project. The number is an interview number is 344. Graham, Smart, Manny Yospa The date is the 28th of February 1995.Graham Smart  0:41  Right, I'll just quickly read something from a book which actually is probably easier. Actually, this[…]
BECTU History ProjectInterview no: 187Interviewee: Sarah Erulkar Interviewer: John TaylorDate of Interview: 28 February 1991 Duration: 01:27:59COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyrig[…]
[…]i/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants to make every effort to improve[…]
[…]s of the operations at Harrow, in film, as a complex base of a number of types of roles within that - from the raw materials coming in, to the actual projects going out. Kodak, I believe were responsible for certain product lines, because there were many, many product lines there, and I was there at[…]
