[…]i/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants to make every effort to improve[…]
[…]i/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants to make every effort to improve[…]
[…]ckstage, be in front and in the same way as any director and a film director wants to be at his premiere sitting in the audience, not anywhere near a projection room let's say.  And the whole point about television, live television, particularly drama, was that and to a very large extent i[…]
BRITISH ENTERTAINMENT HISTORY PROJECT INTERVIEW with DAVID ELSTEIN Conducted on Friday 24th March 2017 at David’s home in Putney Camera Operator: Nick GilbeyInterviewer: Martin Spence  INTERVIEW SUMMARY   00.00 –        […]
COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not b[…]
BECTU History ProjectInterview no: 467Interviewee: Phyllis DaltonInterviewer: Rodney GieslerDuration: 01:33:42 & 00:25:48 (total 01:59:30)COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of […]
