HP Voices


HP Voices is a collective 'online journal' consisting of all our members' blogs. (As part of full membership of the History Project, every member has the opportunity exclusive use of their own blog to write articles, essays, notes on research, or other content they may wish to share.) Please note that all opinions expressed are those of the authors and do not necessarily reflect the views of the British Entertainment History Project.

 

Author: 
jarwoodHP

The use of Speechmatics to obtain a printed text is a great saving on employing a stenographer to do the work. I have experimented with different files to obtain the most correct printed text from the voice. Speechmatics themselves say that a good level is essential for the system to work. Strangely the results do vary enormously.. One male voice can sound very similar to another but the resulting text print out can be totally different. By way of experiment I recently tried a female archive voice and only used one side of the recording. The result I think was slightly better in that A) The female voice works better with Speechmatics anyway and B) The use of one side of the recording produced near perfect results especially when there were few technical terms and/or proper names. It is always worth an experiment to do a short before getting the whole interview processed.

Author: 
Mike Dick

In August 2016  the following interviews have been digitised and uploaded to the website. Peggy Gick ( Interview number 403) ; Tony Garnett ( Interview number 560) ; Kitty Wood ( Morrison) ( Interview number 6) ; Peter Morley ( Interview  number 166) ; Rodney Giesler ( Interview number 312) 

Author: 
Mike Dick

In August 2016  the following interviews have been digitised and uploaded to the website. Peggy Gick ( Interview number 403) ; Tony Garnett ( Interview number 560) ; Kitty Wood ( Morrison) ( Interview number 6) ; Peter Morley ( Interview  number 166) ; Rodney Giesler ( Interview number 312) 

Author: 
Anonymous (not verified)

Author: Melanie Williams, (School of Art, Media & America Studies, University of East Anglia)

 

Author: 
Anonymous (not verified)

Author: Joy Cuff ( née Seddon)

On my first visit to the Stanley Kubrick archives, I began looking through an inventory that detailed information on over 700 boxes that related to 2001: A Space Odyssey. My aim was to find some of the artwork that I had produced for this monumental film forty years ago.  At random, I selected two boxes noted as ‘Miscellaneous Polaroid’s and 35mm transparencies’. To my wonder and surprise, both contained photographic shots of the moons’ surface; I had indeed created a number of tabletop models of the moon and its’ complex surface.

Author: 
Ian Noah

Source: Graham Smith, Institute of Historical Research, London University (www.history.ac.uk)


This article provides an excellent introduction to Oral History, from Developments in Oral History Theory, Ethics and Legal Understanding to Technical Changes, Archives and the Future of Oral History.

Since the 1970s oral history in Britain has grown from being a method in folklore studies to become a key component in community histories. Oral history continues to be an important means by which non-academics can actively participate in 'making history'. However practitioners across a range of academic disciplines have also developed the method into a way of recording, understanding and archiving narrated memories.

Author: 
M Spence

Over recent months the BECTU History Project has been busily continuing its interviews with women and men from across the UK film and television industries. With nearly 700 recordings so far, it is one of the most extensive audio-visual archives in the world. 

Recent interviews have included:-

John Henshall 

John Henshall is an acknowledged expert in electronic photography and digital imaging. He started at the BBC in the 1960s, and left in the mid-1970s. As a DoP in the following years he helped establish the new genre of music videos, and did innovative TV work such as ‘Spitting Image’ and ‘Network 7’. 

Author: 
Anonymous (not verified)

This is a copy of a magazine article from 2012 in which "Janice Turner (Editor) reviews a study by Andrew Dawson and Sean P Holmes of the development of the BECTU History Project – from a reminiscence during an ACTT conference to an internationally important  archive".

Read the original article in full here:- History Project Article SSR April-May 2012 (1113Kb PDF)

Source: Stage, Screen & Radio, 2012

 

Author: 
Mike Dick

There are many reasons why knowing our history is important, and this is particularly so for trade unionists and trade unions.

In this era of YouTube, the iPhone, 3 D movies, Facebook, ultra high definition television , the BECTU History Project links us to a time when we worked in a different way. It tells the stories of the workers in our industry over the last 100 years – it tells about the challenges they had to overcome, the skills they developed, the enduring human relationships they forged as Britain developed into one of the world’s major centres of the film and television industry.